Vincent Hartman Vincent Hartman

New branding, new website, well new everything!

At Amos Beech we pride ourselves in creating unique interior solutions tailored to the specific needs of the customer. As no customer is the same no interior designed and build by Amos Beech, is a copy paste. In the 27 years of our existence we have seen a tremendous change in the office workplace. The same is the case here at Amos Beech and today we launch our new branding:

Amos Beech branding 3.0

Using a mix of bold colours like purple and magenta combining the calm stability of blue and the fierce energy of red into harmony and balance, our corporate colour is spontaneous and impulsive, yet resourceful and organised. 

Up until today we have used a variant of the colour in our beechnut logo for over 12 years. You can read more about the history of Amos Beech here: History.

CREDITS

Just like creating great office interiors, a re-branding exercise is teamwork. And for this we would like to say a massive THANK YOU to:

  • the members of the public at Princes Street Gardens in Edinburgh and the gardeners of Edinburgh Council

  • the members of the public on George Square Glasgow and the workmen cleaning the Sir Walter Scott monument who joined us during their coffee break

  • the management and fishermen of Frandy Fishery that were braving the weather just at the start of the fishing season

  • Nina James, Val Rennick and Dorien Hartman, family members of the 'actors' Roy, Fiona and Vincent, that were drawn into the production also with hardly any notification or preparation

  • The 'actors' Roy, Fiona and Vincent for stepping outside their comfortzone into the unknown world and fame of the film industry

  • Brockwell James for lending his bike to us

  • Gerry and Jim from Vision Sign & Digital for the great job they did in the manufacture of our 'freestanding' fingerprint beech tree

  • Ernst Wijnands and Jaco Schuurman of Iris Media, video production company, for their creativity, technical skills and ability to deal with an 'organic production' on short notice

  • Roné van der Vliet from Catapult creëert, for his graphic design and conceptual skills

For more information on what we do, please click here: Interior Design and Fit Out.

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Vincent Hartman Vincent Hartman

Orgatec 2016

Every two years the European furniture industry gathers in Cologne to see and discuss the latest trends and developments in furniture and interiors. Well that's what they say anyway. It is also very much a networking event and the British organise their own parties and traditionally finish the evening off at Papa Joe's to get the real industry news! The Orgatec exhibition has grown over the years from a local German office furniture show to a truly international interior design Mecca and therefore two members of our design team, Cigdem and Deborah set off to Germany to get inspired.

Design Mecca or not, The Orgatec in Köln may be an international show but lacks the exquisite detail that the Furniture Fair in Milan has to offer. We also expected to be able to pay by credit card wherever we went but hey, we are flexible! We were impressed by the shear size of the place though and we had an amazing time!

Biophilic design

The things that inspired us as designers were mainly the involvement of Biophilia in stand designs and also the use of wood in products within their context. They showed that it is possible to integrate Biophilic Design in office environments because it really does make a difference in your health, efficiency, motivation, creativity and overall mood.

Wood finish used in legs (chair & table) and work tops were very popular and clever in how it was implemented. Different shades and grains were considered to suit its context. A wood finish always gives a calm feeling. Greenery, plants, trees were freaking everywhere, we fell in love! The one we remember most is the pomegranate tree at the Actiu stand. The stand designers also used a lot of relatively inexpensive raw materials in an innovative way i.e. painting of sterling board/chip board, cardboard tubes and also exhibited unfinished metal.

The shift from corporate workplace “desking and task seating” to much softer timber pieces enhances a different way of working. On the office furniture side many of the big players relied on their classics and didn’t bring anything fresh to the table. Don’t take this the wrong way, we LOVE the majority of these classics but thought they needed to up their game a bit. Our industry dinosaurs Sam and Vincent, who joined us for a day felt exactly the same, but also pointed out that there were a lot of sit-stand desking on display, even on design brand's stands, hoping that this would now finally mean a breakthrough into the mainstream market.

Acoustics

Acoustics was another big focus at Orgatec. This was very smartly integrated in decorative office ornaments, ceiling rafts, desk screens, pods and even lighting. We also loved the curtains!  The ones made of interesting materials – chainmail, rubber, etc – a very cool way of bringing a domestic feel to the workplace whilst still being practical way to divide spaces.

The general hospitality was excellent and we had an awesome time. It’s about so much more than just finding new products. We felt the stand design and networking side to be just as inspiring and very much look forward to Orgatec 2018!

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Vincent Hartman Vincent Hartman

Interior design Edinburgh, RBS Gogarburn

In May this year our interior design team set off for Clerkenwell design week in London for inspiration and to keep up to date with the industry's latest developments. Clerkenwell is home to more creative businesses and architects per square mile than anywhere else on the planet, making it truly one of the most important design hubs in the world. To celebrate this rich and diverse community, Clerkenwell Design Week creates a showcase of leading UK and international brands and companies, presented in a series of showroom events, exhibitions and special installations that take place across the area.

Interior design Edinburgh

You don't always have to travel far for inspiration, as our designers discovered at Clerkenwell when they were introduced to some of the team behind the interior design and space planning at the Royal Bank of Scotland. Just around the corner from Amos Beech (from a national perspective), the world class headquarters for RBS are located, Scotland's largest company and the fifth biggest bank worldwide. The team were invited to come and have a look at their recently revamped spaces. Obviously, that offer was accepted enthusiastically and today we went to have a look.

Commercial interior design Edinburgh

RBS is located on a site that is named Gogarburn. The remains that were discovered in 2003 near the site suggest the site was used for agriculture in medieval times. The architects for the RBS Gogarburn development were Scottish based Michael Laird Architects and London based RHWL Architects. The concept was that of a business community with offices, restaurant, shops, leisure facilities, nursery and a training/conference centre. The main building at Gogarburn therefore has a clear social/community focus and circulation pattern.

Technology equipped meeting areas throughout the building are used to encourage collaboration with other business partners around the world as well as being an area where colleagues can “meet, focus, huddle, present or chat” depending on the project in hand.

“Scrum” areas are situated within departments where ideas, processes and improvements can be discussed robustly and advanced by using a simple step by step process allowing them to “fail faster, more of the time” – an expression that demonstrates their committal to “discover, design, develop & test” anything they create, before it is launched internally or externally.

Working environments play a key role in the attraction and retention of staff and  it was great to see how RBS implemented this at their Gogarburn site in Edinburgh!

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